Showing posts with label landscape painting. Show all posts
Showing posts with label landscape painting. Show all posts

03 November 2016

Provence Olives - Nearly finished

Provence Olives
Oil on stretched canvas
30x40cm

Work in Progress
Contact me about this or anyother painting

This one is nearly done. In fact I thought it was until I looked at it this morning. Now I think it needs some warmth in the trunks and maybe in the canopies. What are your thoughts?

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Autumn Gold - Vineyard painting and work in progress photos

Autumn Gold
24x30cm 
Oil on MDF canvas panel

I shared the start of this painting with you HERE.

I like the way the sunlit tree in the back cam out and gives me the effect that I see when the sunlight hits those leave.

Some more WIP photos




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10 October 2016

Changeover - The start of Autumn, Finished with WIP images


Changeover -  The start of Autumn
30x40cm oil on gallery wrapped canvas

We don't get much in the way of autumn colours here in the Alpes Maritime although sometimes you get surprising little pockets where the autumn colours shine. This lovely spot is in the Parc d'Esteron in the Alpes Maritime. We found it by accident down a tiny track we decided to explore during one of our country drives.

Work in Progress images:







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08 October 2016

Shadowland Updated and WIP photos


Shadowland
24x30cm oil on canvas panel.

The 30 painting in 30 days challenge has finished - Well it finished at the end of September of course, I have just been a bit slow in collating all my paintings and posting.


The 30 day challenges are fun and it really does make you think about painting and producing art. Some work out and others are not so good but it is the palette knife (or brush) miles that count. I included more larger paintings than my usual 18x24cm than I normally do to allow myself more freedom - sometimes making a composition fit on the smaller boards is difficult, especially if, like me, you have a tendency to put in too much detail. Consequently I had a many more not quite finished paintings than normal.

I am gradually working my way through them adding the final touches. I shall share these as I go along.

Today's painting is 'Shadowland'. It needed more work on the shadows and some touching up on the background colours. I am now happy with it and it reminds me of the day we walked through the dappled shadows in the woods at Chateau la Coste.

Here are some work-in-progress photos:

25 September 2016

Light Catcher, Provence Tree Landscape

Light Catcher WIP 
by Marion Hedger
Provence Landscape
18x24cm oil painting on MDF canvas panel

The light filtering through the trees and catching the leaves appealed to me. This was taken on the walk through the Chateau La Cloche sculpture walk.

Some work is still needed on the path and shadows.


 
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11 July 2016

Lavender Wonderland oil palette knife painting

Lavender Wonderland by Marion Hedger
palette knife painting
Oil on artist quality 3mm thick MDF canvas panel,
Size = 30x 30cm (approx 12"x12") 
An impressionistic Provencal landscapes painting featuring the scenery of Provence, France and showing the Lavender fields marching up to the distant mountains. Imagine you can smell the lavender and feel the peacefulness with only the buzzing of the bees to disturb the quiet.

About this paintinng
The thickly applied strokes add texture and movement to the oil painting, a modern use of impressionism. It is painted loosely to give a lively feel and movement to the painting and show off the colours.

I actually started this painting last year, and in anticipation of my recent annual trip to the lavender fields, I had a sudden impetus to finish it!

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06 July 2016

Strolling through the Bluebells, palette knife painting

Strolling through the Bluebells by Marion Hedger
Bluebell Woods. Rufford Park
24x30cm oil on canvas panel
AVAILABLE

One of my favourite parks to stroll arround, particularly in May when the bluebells carpet the floor in blue.

 
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29 June 2016

Sunset Rocks Seascape Painting

Sunset Glow Seascape by Marion Hedger
6x8 on box canvas
Commission painting

The same rocks but with a different light. See original post here


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11 June 2016

The Bus Stop St Paul de Vence - Work in Progress




I have not painted many (in fact only two here and here) scenes of local village St Paul de Vence. I don't know why - it is a very picturesque perched village and one of the most visited. I have lots of photos, of course, and it is about time!

This is the local bus stop for returning to Nice. It is located on a tiny bit of path and near a corner. In summer there are crowds of tourists trying to get on the bus. - Sorry for some reason the photo is not good and does not show the colour variations in the shadows well.

I am trying to capture the heat of the afternoon, as it get extremely hot waiting for the bus and test the patience of even the most patient of tourists!

A little further along the way...

 

08 June 2016

#AbundantArtShow is ending soon.



Hidden Passageway, 30x40cm

You might remember I mentioned a few days ago I was taking part in the #abundantartshow alongside several hundred other artists. It ends in two days, and today's challenge is to ask people to share your work to help you spread the word and perhaps find new buyers. {I find this very hard to say! But nothing ventured...} So if you feel moved to support an artist today, visit the #abundantartshow hashtag and share your favourite painting any which way, Facebook, Instagram, Pinterest etc - it doesn't even have to be mine. ;) And don't forget to use the hashtag! Either way, a HUGE thank you to you for already supporting and encouraging me so much. I appreciate it more than I can say. 

I have created a pinterest board for the abundantartshow showing some of the art I like. I must say, there is a lot of variety. https://www.pinterest.com/artbymarion/abundantartshow/

04 May 2016

Impressionist Landscape Painting - Provence Flower Show

Provence Flower Show
30x40cm
Oil palette knife painting

Last week we took a drive to see the cherry blossom in the Vaucluse area of Provence. We missed the cherry blossom but did find some gorgeous poppy meadows and of course I had to paint one.

02 May 2016

Essential Kitchen Items for Painting - Part 1 Kitchen Wrap


I thought it might interest you to take a peek into some of my working practices, and will be revealing them on an ad hoc basis.

Like many painters, I make use of use of different everyday items in one form or another during the painting process.

Something I find indispensable is kitchen wrap (cling film / saran wrap). I use it for several things.

- Working out Variations on a (mostly) dry painting.
I make use of it to look at possible variations in a painting. The image below is of a commission of Ulm Pushkin in Montana I am working on. The client wanted the butte a little larger and to stand out more. To gauge how large to go, I placed the wrap over the painting and made a couple of suggestions using a felt tip. She went for the first option.

This could also be used to try out different colours.

- Keeping Paints Moist
Another use is to cover the paints at the end of the day to keep the paints moist. This also works for acrylics - spray the acrylics with water and then cover with the film. Some of the acrylic will stick to the film but the rest will still be moist enough to continue using. This is a great idea when plein aire painting as the palette and paint can be put away without the paint making a mess.

 -Avoiding Brush Cleaning
Wrap the brushes with film at the end of the day to stop them drying overnight. They only need to be washed at the end of the painting

-Avoiding cleaning palettes
I normally use a piece of glass as a palette, but when I use a wooden palette I often cover it with wrap first. When I have finished the painting, the wrap can be thrown away and the palette doesn't need cleaning.

-Working out a composition
I have difficulty translating sketches and ideas onto the larger size of the canvas. Often I cover the canvas in cling film and work out the composition using a felt tip pen. This gives me a good idea of whether the composition and relative sizes will work.

Let me know if you use kitchen wrap and if you have any other ideas for its use.

26 November 2015

Varnish beading on Painting?

The picnic Spot
24x30cm (approx 9.5x12inch)
Gallery wrapped canvas
Varnished and ready to go

I like to let my oil paint dry as long as possible, so normally I don't varnish my painting until they are due to go to their new home. However, in anticipation of the Christmas sales, I've been varnishing some of my paintings so they can be shipped immediately.

I noticed that some of the varnish was 'beading'. Not a lot, but I had never noticed it before. After doing a google search I came across this article which explains that it is the surface oil causing it the varnish to bead.

Well.... I knew I was brilliant and now here's the proof LOL.
The cure is to wipe the painting surface with alcohol or ammonia. For years I have been using a mixture of the two for my general cleaning and I also use it to soften stubborn paint on my pallet. It's a brilliant cleaner and both the ammonia and alcohol are both disinfectants. The ammonia smell is a little off putting but you will never suffer from a blocked nose again! (The Victorians used ammonia in their smelling salts).

Here is the recipe I use if you are interested. You need
Cleaning alcohol
Ammonia
Washing-up liquid
Water

I make mine up in a large liquid washing detergent bottle.
Use twice the amount of alcohol to ammonia and double the volume with water. Add a decent squirt of washing up liquid.

I use this mix for floors (I have ceramic tiles).
For surfaces put some into old spray bottles, add some more water and another squirt of washing-up liquid.

If the ammonia smell is too strong for you, add more water.

It's cheap and very effective.

LET ME KNOW if you have ever had this problem and how you solved it.

06 November 2015

Lavender Farm Provence palette knife painting

Provence Lavender Farm
Oil palette knife painting
Oil on canvas panel
18x24cm (approx 7x10)

Back to painting landscapes after the abstract florals and a few commissions and a week in the UK.
I kept it simple for this one and painted directly onto the canvas panel i.e. no additional gesso and no underpainting. It has a nice 'cleanness to it'.

A couple of close-ups




 

28 August 2015

River Stones 2 palette knife painting

River Stones 2 oil palette knife painting
6x6" on 1.5cm gallery wrapped canvas

Apologies for my absence from blogging. Summer is a hiatus for me where painting is concerned as we have lots of visitors and my granddaughter comes to stay. Add to that, builders at the beginning of summer and maybe you will forgive me.

About this painting
A small stream near home that turns into a raging river after storms and when the ice in the mountains melt. The level can rise by about 4 metres. It is so hard to photograph the blues and turquoises to give the true colours of the painting, but it looks better in real life.

How it looks displayed on a mini easel

I will try to post my long awaited report about the plein air workshop I attended in the French Alps with Richard Robinson over the next couple of days.

10 April 2015

Kaleidoscope Trees, a gouache study

Kaleidoscope trees
4"x6" Gouache* on 300g watercolour paper.
Unvarnished.
Overall paper size is approx. 4.5"x6.5" to allow for framing. 

I have noticed I am tending to blend my paint more and more, resulting in a tighter result than what I am aiming for. With this in mind, and after studying some curren impressionist painters I am working towards think twice, lay down paint once. This is much harder than it sounds. You should hear the voices in my head telling me to NOT MESS WITH IT! I am aiming to have a purer, brighter colour in the painting.

About this painting
 
This is a gouache study of a group of trees. I have an idea for a larger painting in oil using pure colour and not mixing the paint on the canvas. I laid down a thin wash and then using thick gouache straight out of the tube I placed the paint on the paper. I also mixed paint on the palette before using it on the paper for some of the colour. I love the matte finish of the gouache.

How it might look framed
 

04 November 2014

Wildflower Confetti palette knife painting in oil

Willdflower Confetti
Palette knife painting
15x20cm (6x8inch) on 1.5cm deep box canvas
The edges have been painted black so a frame is unnecessary.

This is another painting of the wildflowers that we came across last July (see here) from a different view point and different treatment.

Some close-ups


07 October 2014

Autumn Sunlight palette knife painting

Autumn Sunlight palette knife painting
oil on canvas MDF panel
18x24cm (approx 7"x10")
Available on Daily Paintwork

This painting evolved from a similar painting from last year - Autumn Explosion. To ring the changes I added more of a foreground and used more yellow.  This week's challenge on Daily Paintworks is 'Fall' so this one fitted right in. has received some favourable comments and has had lots of hits since I posted it.

About this painting
Although it looks like it's painted with wild abandon, I have tried to carefully balance the colours for warm against cool and brighter to greyer to give some depth. I debated about the green foreground  (should it be ochre? should it be green?) but decided to leave the green as a contrast to the warm oranges and yellows. When I had finished I noticed that the yellow highlights were right in the center - but who made the rules anyway?!

The painting has lots of layers and will take a while to dry.

Some close-ups