Showing posts with label watercolour. Show all posts
Showing posts with label watercolour. Show all posts

27 November 2012

Fracture Abstraction No 6, varnished watercolor

"Fracture Abstraction No 6." Varnished watercolour abstract.
Painting size = 9.5 x 17.5cm (approx. 4"x7")
Overall size = approx 13.5 x 21cm (approx 5"x8")
Initialed on the front, signed on the back
Can be framed without glass
This one turned out completely different to the others -  that's the beauty of this type of abstract and letting the 'feel' of the painting take charge. Sometimes the painting takes over and you just have to go with the flow. 
View showing the rough edge

26 November 2012

Fracture Abstraction No.4 and No.5, watercolour abstracts

Another two of this set

"Fracture Abstraction No 4." Varnished watercolour abstract.
Painting size = 9.5 x 17.5cm (approx. 4"x7")
Overall size = approx 13.5 x 21cm (approx 5"x8")
Initialed on the front, signed on the back



"Fracture Abstraction No 5." Varnished watercolour abstract.
Painting size = 9.5 x 17.5cm (approx. 4"x7")
Overall size = approx 13.5 x 21cm (approx 5"x8")
Varnished
Initialed on the front, signed on the back

The eagle-eyed amongst you will notice that no. 3 is missing. The photo did not turn out very well on that one and I need to take another when the weather brightens up.


24 November 2012

Fracture Abstraction No.2, watercolour abstract


"Fracture Abstraction No 2." Varnished watercolour abstract.
Painting size = 9.5 x 17.5cm (approx. 4"x7")
Overall size = approx 13.5 x 21cm (approx 5"x8")
Varnished
Initialed on the front, signed on the back

The second in my abstract watercolors.
In the spirit of play and creativity, I let watercolour washes merge together and then using pen, I enhance the shapes and used a bit of my artist's licence to extend and colour some areas. A white border has been left around the edge to enhance the colours. I have stressed the edges to give a bit of a handmade paper look, but this can be trimmed straight. I am enjoying myself with the freedom this brings. Hopefully, I can carry this forward in my more structured paintings.

This shows the 'stressed' edges.

23 November 2012

Fracture Abstraction - watercolour abstract painting

"Fracture Abstraction No 1." by Marion Hedger
Varnished watercolour abstract.
Painting size = 9.5 x 17.5cm (approx. 4"x7")
Overall size = approx 13.5 x 21cm (approx 5"x8")
Varnished, can be framed without glass
Initialed on the front, signed on the back
I have taken a break from oil painting for a couple of days and decided to do something different and try to stimulate my imagination.
In the spirit of play and creativity, I let watercolour washes merge together and then using pen, I enhance the shapes and used a bit of my artist's licence to extend and colour some areas. A white border has been left around the edge to enhance the colours. I have stressed the edges to give a bit of a handmade paper look, but this can be trimmed straight. I am enjoying myself with the freedom this brings. Hopefully, I can carry this forward in my more structured paintings.

This shows the 'stressed' edges.

15 February 2012

After Samuel Peploe - Apples

After Samuel Peploe - Apple and Jar
Post card size, watercolour and ink by Marion Hedger
Part of the Masters Project of wetcanvas.com. A fun exchange of paintings between artists painting after the masters. I chose to paint most of mine after the Scottish Colourists.

10 January 2012

Green Paraqueet Bathing Gouache painting

Bathing Paraqueet by Marion Hedger
13x18 cm (5"x7")
Gouache on canvas panel

Painted as part of the January 'Gouache Corner' challenge on wetcanvas.com. Unfortunately, in the photo, the weave of the canvas is very pronounced, it is not quite so obvious in real life. This is my second bird painting and I love the subject. It reminds me of the red Eastern Rosellas we used to get in our garden in Melbourne, Australia. Unfortunately I never took a photo, so have no reminders of them. I cropped this from the original photo which contains 3 green paraqueets all taking a bath. Maybe I shall attempt all three later. This will be varnished to protect the surface and allow it to be framed without glass.

04 December 2011

Landscape Impressions II - abstract gouache painting

The second in the series this time with more of a 'waterscape' feel to it.
Landscape Impressions #II  by Marion Hedger
12.5x17.5cm (5"x7") Gouache on canvas board
coated with acrylic varnish
These small paintings make an ideal gift
Purchase this painting HERE
The varnish on this little gouache painting gives it a tough, resilient coating that protects it from moisture and means it can be framed without glass.
It has been mounted on MDF board to fit directly into an 18x24cm frame.

16 November 2011

Through the woods - 2nd Gouache Experiment

This is my second attempt at a gouache landscape.

Through the woods
Gouache painting by Marion Hedger
21x30cm on thin black card.
I really like the effect of this one. I am still learning how to use the gouache and I have kept this fairly loose with the black ground peeping throught, hopefully giving it some harmony. As I still have my limited palette of kid's paints I could not mix all the colours I needed, but to me it does have a nice energy about it.

This is from one of my photos while walking through the woods close by. We do not get a typical autumn here, it is a mixture between a few coloured and dry leaves and fresh growth that sprouts after the autumn storms following a very dry summer. I hope I have captured some of that feeling.



02 November 2011

 After Peploe still life by Marion Hedger
Watercolour on140lb watercolour paper
This small painting (10x15cm) was painted as part of the wetcanvas.com Master's challenge project. I concentrated on the Scottish Colourists for the series. When I started I did not know much about any of them, but by the end of the project I was a fan of Peploe.

13 October 2011

Pansies in pen and wash

Pansies in pen and wash
5x7" on watercolour paper

A quick sketch depicting that spring favourite, pansies. Postcard sized sketches are fun to do and retain some of the spontaneity that is often lost on larger paintings. Using pen and wash allows you to paint more freely as many things are just suggested and detail is unnecessary.