Showing posts with label red. Show all posts
Showing posts with label red. Show all posts

13 June 2014

Provence Poppies Landscape, Palette knife oil painting

Provence Poppies No. 1
Palette knife oil painting
4.75x4.75 inches
Oil on gessoed MDF panel
This small painting is for auction on Dailypaintworks and has been chosen for the DPW auction picks.

I can hear you asking - "Why 4.75x4.75 inches?". Blame my husband! I asked for 5x5" pieces from a larger board, but somehow they turned out a little smaller.
Contact me about this or any other painting HERE

24 January 2014

Poppy Trio Palette knife painting on box canvas

Poppy Trio Palette knife painting
20x20cm (8"x8") on box canvas
The sides of the canvas are painted black
No frame required
Day 24 of the 30 day challenge
Available for purchase

More red for Day 24 of the challenge, but poppies instead of tulips.

Newsletter
I will be sending out my first newsletter at the end of the month. Sign up for my newsletter and you will be entered into a draw for one of my miniature treasures paintings.

About this painting
This is an upcycled painting, also of poppies, that I sort of liked but it was a bit dark. I decided to redo the painting (the original one had 5 poppies which also made it a bit crowded). I first painted the highlights with cadmium yellow and then hit it with the red. The painting is now much brighter and livelier and has more impact.

Some close-ups of the knife work


23 January 2014

Red Tulips flower arrangement palette knife painting

Red Tulips flower arrangement
Palette knife painting
Oil on box canvas
15x20x1.5cm (6x8x0.6inch)
The sides are painted black,
 so can be hung with or without a frame
Day 23 in the 30 day challenge
SOLD
 
More red and more tulips for day 23 in the challenge. I love this red colour, it is Scarlet Lake by Winsor and Newton. I like to use it straight from the tube for a luscious red colour. When mixed with white it gives a lovely soft peachy/pink colour.
See yesterday's tulip painting here

About this painting
I find that reds can quickly lose their vibrancy when the paint dries. To help the red stay bright, I always underpaint with yellow.

Close-up of the knife work

11 January 2014

ACEOs 4 and 5 - 'Storm' acrylic monoprint, Day 11 of 30 day challenge

 ACEO 4 - Storm 1 Monoprint
Acrylic on watercolour paper
Available for purchase
ACEO 5 - Storm 2 Monoprint
Acrylic on watercolour paper
 Available for purchase
Two ACEOs for today's post. These are taken from a monoprint in acrylic. I used too much paint for the monprint but I loved the effect of the texture on print. I was going to use the print as a basis for an abstract painting, however, when I placed my ACEO template over the print, these two ACEOs jumped out at me.

See my other ACEOs created during this challenge

10 January 2014

Provence poppies No. 2 impressionist painting - Day 10, 30 paintings challenge

Provence poppies No. 2 impressionist painting
Palette knife painting in oils
15x15cm (6"x6")
Day 10, 30 day challenge
Available for purchase, 52€ (icl. shipping)
 A sister painting to Provence Poppies No. 1 I'm addicted to this scene and have painted it many times. The impasto surface adds character to this painting.

Some close-ups


09 January 2014

ACEO Acrylic Monoprint 'Out of the Mire' - Day 9, 30 paintings challenge

 Miniature art trading card
ACEO 19 - Out of the mire
2.5 by 3.5 inch 
Abstract Acrylic monoprint on Bristol card
Available for purchase 12€ (int. shipping icl.)

This small abstract suggests all sorts of things to me - the red, black and white scheme looks mysterious and the lines suggest going into the distance - What does it suggest to you?

Yesterdays challenge entry

20 December 2013

Provence Poppies Galore, palette knife painting in oil

Provence Poppies Galore
Palette knife painting
Oils on box canvas
20x15cm (approx 8x6 inch)
Available in my Etsy Store

The red is bright in this - but not quite as bright as this shows. I altered it in Photoshop and got a pretty good approximation of the true colour, but it never seems to load up right - Oh well!

I did not use any true reds in the poppies, they are mainly a combination of Winsor and Newton scarlet (an orangey-red), yellow, permanent rose and alazarin crimson. In sunny areas I always use yellow underneath the red, as it always seems to make the reds 'pop'. Contrary to what logic tells you, I often find that red loses it's brightness if painting it on top of white.

Close-ups of the knife work

19 December 2013

Poppies in Provence No.1 mini knife painting

Poppies in Provence No.1
Oil on panel,
12x12cm (approx 4.5"x4.5")
Palette knife painting
Available for purchase 33€ (ca. US$45)

Last week my escape from winter was the sunflowers of Provence. This week it is the poppies. I have completed four paintings in the last couple of days - admittedly small ones but it meant I could squeeze in some painting time.
They are all of the sameish? (is that a word!) scene as my larger painting "Scarlet Poppies".

Close-ups of the knife work


I will post the other three paintings over the next few days.


26 September 2013

Abandon, Autumn Abstract - Day 26, 30 days hath September, oil, 9x12 inch


Abandon, Autumn Abstract
23x30x1.5cm (approx 9"x12"x0.6")
Oil on box canvas, palette knife painting
 110€ International shipping included

I've just notice the three As in the title - a little unintended alliteration LOL

I felt like doing something a little different today and something where I could just use my paints with abandon. Working with the oranges, red and yellow really makes me feel happy. The inspiration for this one my previous painting
Autumn Explosion
Process
I started with a puple ground then some red dabs of paint, next I alternated with different orange hues and reds and lastly luscious cadmium yellow. After all the paint was more or less in place I used a palette knife to place the trees in position by laying the palette knife flat on the canvas and pulling it up through the paint.
Placing the trunks
The very last thing was to lay in the trunks with titanium white which I did with a sideways motion. The white paint picked up some of the colour already on the painting giving the illusion of bark. I tried hard to give the trunks different widths but maybe I should have made them much more different?
Knife work close-ups
Here are some close ups showing the different layers



25 September 2013

The colours of Provence, 4x6 inch - oil painting, Day 25, 30 days hath September challenge

The colours of Provence, Provence landscape
Palette knife oil painting
15x10cm (6"x4") on gessoed MDF panel 
Day 25, 30 days hath September challenge
FOR SALE IN MY ETSY STORE

Another small one for day 25. You may have noticed that I like these colours and of course, it includes lavender and poppies. This is a rework of the Zorn palette study posted earlier. I just couldn't get the colours to work for me so HEY PRESTO a small Provence Scene. This is a similar composition to Meandering Path

Some close-up shots


09 September 2013

Scarlet Poppies, Provence landscape - Day 9, 30 days hath September challenge

Scarlet Poppies Provence Landscape
54x46x1.8cm oil on box canvas
440€ Click HERE to purchase
Plus shipping (approx 22"x18")
Palette knife painting
Day 9, 30 days hath September challenge
Day 9 painting
For day 9 of the challenge I am cheating a little. This is a larger landscape painting which I started a couple of weeks ago and finished on Friday - so strictly speaking I did paint some of it in September LOL.
Larger Format
This is much larger than my small landscapes and I really enjoyed painting this one. I'm fond of the small ones but this allowed me to get stuck into a painting as it has been a while since I did a larger one (apart from my Zorn palette study of course).
Small Poppy Painting
Here is one of my smaller poppy landscapes for comparison
Click here to see the original post



14 June 2013

Some like it hot - still life in oils

Some like it hot still life palette knife painting
20c20cm (8"x8") oil on canvas board
This is another rework. Initially painted with a brush, I just couldn't get the effect I wanted. I left is aside for a while and last week I reworked it using impasto paint and a palette knife. Although not too bad before, the rework has added 'oomph'. There is something satisfying about reworking a painting, maybe it's because there is nothing to lose and the painting is no longer 'so precious' so there is more freedom to just go for it.

12 April 2013

Poppy Field Provence palette knife painting


Poppy Field Provence
Palette knife painting
15x20cm (approx 6"x8") Oil on board
SOLD
It will soon be time to go and see the lavender fields blooming. Along the way there are many hay meadows that are awash with colour. The poppies, in particular always call out to be painted. 

This is painted on a pink ground which is allowed to show through to add sparkle to the painting. Using the palette knife and thick impasto paint, allows the colours to remain true. Here is a close-up of some of the knife work
These little paintings take on a life of their own, and tell me which way to go LOL. 

You may like my other poppy meadow paintings HERE and HERE 

26 March 2013

Can I join in? pears and apple still life painting

Can I join in? Pears and apple still life
Palette knife painting
18x24cm (approx 7"x10") oil on canvas panel

One of the pears from yesterday's still life was eaten for breakfast, so I made up the trio of fruits with an apple. It had similar colouring to the pears and was a good substitute. It can't understand why it is different though, and can't join in with the pears LOL.

Take a look at my 'Three of a Kind', pear still life painting

27 November 2012

Fracture Abstraction No 6, varnished watercolor

"Fracture Abstraction No 6." Varnished watercolour abstract.
Painting size = 9.5 x 17.5cm (approx. 4"x7")
Overall size = approx 13.5 x 21cm (approx 5"x8")
Initialed on the front, signed on the back
Can be framed without glass
This one turned out completely different to the others -  that's the beauty of this type of abstract and letting the 'feel' of the painting take charge. Sometimes the painting takes over and you just have to go with the flow. 
View showing the rough edge

19 November 2012

Path through the Poppy Meadow, oil painting SOLD

Path through the poppy meadow by Marion Hedger
Oil palette knife painting
15 x 20cm (6" x 8") on box canvas
THIS PAINTING IS NOW SOLD

I really love painting these small Provencal scenes. They always take me back to my trips to the interior Var and Haut Provence region.
Another view of the poppy meadows can be seen HERE

21 September 2011

Black, White and Red landscape abstract

This is the second painting for the September challenge on the Daily Painters International blog where I missed the deadline. This was an abstract landscape that sort of developed as I went along. I mixed the greys on the paper as I went along. Adding the red was a last minute decision.
 Abstract landscape, black and white plus one by Marion Hedger

Acrylic and gel medium, palette knife
A4 on cardboard 
The three black and white paintings in this series were done very loosely and quite quickly. Perhaps that is why I enjoyed creating them as I had no preconceived ideas and nothing to lose as they were an cardboard cutoffs. The tree is a nod to my location here in the Alpes Maritime, Provence.

Here is a close up of the palette knife work:

Black and White plus one III

This is the third and final study in black and white plus one colour. This one is smaller than the other two and on canvas board with a black gesso ground.
 Abstract tree, black and white and red
10x15 cm (4x6") on canvas board
This exercise was interesting and tells me that I definitely need to loosen up in my normal work and this is an idea I am thinking of taking further - maybe not the white and black theme but definitely the loose palette knife work and using the gel to thicken up the paint. As this was only an exercise I used paint which was very fluid and not true artist paint. I wasn't sure if the gel (Golden gel medium) would work to give me a 3D effect but it worked well.