Showing posts with label sunlight. Show all posts
Showing posts with label sunlight. Show all posts

08 October 2016

Shadowland Updated and WIP photos


Shadowland
24x30cm oil on canvas panel.

The 30 painting in 30 days challenge has finished - Well it finished at the end of September of course, I have just been a bit slow in collating all my paintings and posting.


The 30 day challenges are fun and it really does make you think about painting and producing art. Some work out and others are not so good but it is the palette knife (or brush) miles that count. I included more larger paintings than my usual 18x24cm than I normally do to allow myself more freedom - sometimes making a composition fit on the smaller boards is difficult, especially if, like me, you have a tendency to put in too much detail. Consequently I had a many more not quite finished paintings than normal.

I am gradually working my way through them adding the final touches. I shall share these as I go along.

Today's painting is 'Shadowland'. It needed more work on the shadows and some touching up on the background colours. I am now happy with it and it reminds me of the day we walked through the dappled shadows in the woods at Chateau la Coste.

Here are some work-in-progress photos:

25 September 2016

Light Catcher, Provence Tree Landscape

Light Catcher WIP 
by Marion Hedger
Provence Landscape
18x24cm oil painting on MDF canvas panel

The light filtering through the trees and catching the leaves appealed to me. This was taken on the walk through the Chateau La Cloche sculpture walk.

Some work is still needed on the path and shadows.


 
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23 September 2016

Light Under the Bridge, Day 21

Light Under the Bridge
Oil palette knife painting
18x24cm on MDF canvas panel
Day 21 of the 30 paintings in 30 days challenge.

See all of the paintings so far

The bridge in this painting is an actual artwork in the Chateau la Coste art and architecture walk See here for details.. It was the light on the rushes under the bridge that caught my eye.
It was a very windy day and I hope I caught some of that in the rushes. 
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15 June 2015

Spring Vineyard in Provence, oil palette knife painting

Spring Vineyard in Provence
Palette knife painting
18x24cm (approx 7"x10")
SOLD

Apologies for the silence, I am not AWOL but I have been occupied on 4 painting commissions and family. We celebrated my Dad's 90th birthday at the end of May so I took a trip over to England, and my son who lives in Australia, has been over to visit everyone. He's returned back home and now I am back to painting.

This painting is of a vineyard close to St Tropez. I worked from a photo taken early this year. The fresh green leaves of the new vines turned a lovely bright yellow in the morning sunshine.

The Var is full of vineyards, some which are along the side of the coast road up to the mountains in the distance. Around the coast it is all flat with a faint view of the hills in the background.

20 August 2014

Light in the Woods, palette knife oil painting


Light in the Woods
Palette knife oil painting on MDF canvas panel
18x24cm (approx 7"x10")
Available in my Etsy store

I love painting silver birch trees. This one was painted from a photo taken in Spring as the fresh growth was bursting out, but with the winter brown undergrowth being slow on the uptake! The shaft of sunshine brought the scene to life for me.
Colourful Birches
This painting shows a different treatment of the trees, I have used goauche in a thick loose impressionist way. 
Colourful Birches
Gouache painting on canvas board
17.5x12.5cm (7"x5")
Varnished so can be framed without glass
Available in my Etsy shop

06 August 2014

Paintings that talk to you - Sunset Glow at the Vineyard palette knife oil painting

Sunset Glow at the Vineyard
Palette knife painting
Oil on MDF canvas board, 24x30cm (approx. 10"x12")
Available on Daily Paintworks
website
This painting was started during the September 30 day challenge. It was slightly larger than many of the other paintings in the challenge. After the challenge I put it aside as I there was something I didn't like, but could not put my finger on it. 
The other day I looked at it again and suddenly it was clear what it needed to be finished. It was as if the painting was now ready for the final touches! Please keep this to yourselves as I don't want to be locked away for talking to paintings LOL.
See the WIP painting from the challenge HERE

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05 October 2013

Winter Light oil painting for auction on DPW

Winter Light oil painting
18x24cm (approx 7"x10")
oil on unstretched canvas
palette knife painting
 Painting 16 in the 30 days hath September challenge
is now up for auction on Daily Paintworks, 
starting at $65

16 September 2013

Winter Light oil painting, Day 16, 30 days hath September challenge

Winter Light oil painting
18x24cm (approx 7"x10")
oil on unstretched canvas
palette knife painting
 Day 16, 30 days hath September challenge

The painting for day 16 is a winter scene full of light. I'm not partial to snow, but the colours in this have worked well, I think. It reminds me of those crisp winter afternoons we had occasionally in England when I lived there.

Unstretched canvas
This is painted onto unstretched, primed canvas which I stapled onto a support while painting. I liked painting on this surface, the paint adhered well and I was able to build up the layers.

12 September 2013

Coastal Pines, Day 12, 30 days hath September challenge

Coastal Pines treescape landscape painting
18x24cm (approx7"x10")
oil on canvas panel
85€ International shipping included
 
Day 12, 30 days hath September challenge

Tree series ?
I seem to have started a series of tree paintings and I do enjoy painting them, especially when there is light and shadow playing on the trunks and underneath. Sweet Chestnut Walk and Cork Sentinels were from a recent trip into the Var. Sherwood Forest walk and today's painting are from older photographs taken earlier in the year.

The coastal road
These coastal pines were found along the coast road to St Raphael. 
It is a beautiful stretch of coast road that winds from Cannes to St Raphael and we take a trip down it at least once a year. I always take loads of photos so have plenty of references on my 'to do' list. 
Shadows and Light
These gnarled pines attracted my attention because of their shape and the shadows playing underneath them. It's amazing that they grow at all, they were coming out from underneath the tarmac of the road! Just to the left is the sea and I ignored the road for the painting using my artistic license.

08 September 2013

Sweet Chestnut Walk - Day 8, 30 days hath September Challenge


Sweet Chestnut Walk treescape WIP
Day 8, 30 days hath September Challenge
Oil on canvas panel
Palette knife painting
Contact me about this or any other painting HERE

Last Friday we took a drive around the vineyards in the Var region so I could gather some photos of the vineyards before the grapes were harvested. As part of the drive we went through the Les Maures hills national forest. Sweet chestnut trees grow wild amongst the cork oaks. Generally the day was overcast but every now and then the sun shone through and I managed to capture the sunlight in this view. This is not quite finished, I still have to work on the edges of the shadows.

07 September 2013

Sherwood Forest Walk - Day 7, 30 days hath September challenge

Sherwood Forest Walk treescape oil painting
Day 7, 30 days hath September challenge
18x24cm (approx 7"x10") oil on canvas panel
Palette knife painting

Sherwood Pines
At the end of May this year, we went to Sherwood Pines park in Nottingham my home town. While my brother and the kids did the bicycle circuit, I went for a walk and took photos.

Sherwood Pines is a managed pine plantation right in the heart of Sherwood Forest (quel domage) where they used to grow the pines for pit props in the coal mines. That industry has now died and they are gradually replacing the trees with native species.
My Walk
Naturally it was the regenerated part of the forest where I went for my walk. The sun was shining through the fresh green growth of trees and all was OK in my world.
Does it need people?
I am uncertain whether or not to put a couple in at the end of the path to:
  • add a focal point and scale
  • To add a touch of red (a shirt maybe) as a foil for all the green
Please let me know what you think.