Showing posts with label purple. Show all posts
Showing posts with label purple. Show all posts
09 October 2016
What are your Favourite Colour Combinations?
One of my artist friends, Sea Dean, posed the question "If you had to choose just two colors what would they be and why?" But it was not as simple as saying blue and yellow, of course she wanted more detail - exactly what shades, which brand etc.
This got me thinking. I use a lot of colour in my paintings but my palette has evolved to always having cadmium yellow medium, ultramarine blue, winsor blue, dioxazine violet and alazarin crimson and often viridian squeezed onto the palette. These basic colours provide me with combinations that suit the Provence landscape. I add yellow ochre pale for some buildings, rocks and pathways and also use other colours as required. I use winsor and Newton oil paints as the consistency is right for me for both palette knife and brush.
I can't say that I have two favourites but there are certain combinations I love and here are two:
Pale purple and green/turquoise
This painting is based on the shimmering combination of the violet and turquoise
For the pale purple I mix diox purple with white, sometimes adding a touch of pink (permanent rose or al. crimson with white) or a touch of pale winsor blue depending upon the temperature I am trying to achieve. For the green turquoise I will mix a combination of phthalo blue, lemon yellow, white and often viridian and winsor blue to get the correct colour.
Yellow and purple
This combination is difficult to pull off because they are both such vibrant colours. It is important to make one of them more dominant than the other. In this painting the purple dominates but the yellow is the star
Of course the yellow doesn't need to be vibrant, the combination works just as well with purple and yellow ochre
24 February 2015
Purple Sea oil palette knife painting
Purple Sea
Oil palette knife painting
18x24cm on 3mm canvas MDF panel
Back to my beloved lavender scenes. I was getting purple withdrawal symptoms!
Painted from photos of the Valensol plateau which is awash with purple in the summer.
About this painting
This painting includes a version of the trees I was sketching previously see here. My husband commented the other day that my lavender paintings always look like you are looking down on them. Well that's right! The best vantage point to take the photos from is the verge which is usually higher than the road and gives more of a view and raises the horizon line.
I used a pink ground here and allowed it to poke through in places. The finishing touch was splattering paint over the foreground.
Some close-ups
23 September 2014
Attention! - Day 23, 30 day challenge by Marion Hedger
Attention!
Palette knife oil painting
15x15cm (6"x6") on box canvas
A small portion of one of my photos of poplar trees taken in the summer. Poplar trees? you say. "Too small, don't really look like poplar trees!" Well, as I always say to hubby - they're not really trees, it's a painting! LOL.
About this painting
I didn't have much time today and couldn't complete the painting I had in mind. I did have time for a small one, so I took a prepared 6x6" box canvas with a pink ground and homed in on a small portion of a photo. I'm sure the trees are out of proportion, but I quite like the end result.
06 August 2014
Paintings that talk to you - Sunset Glow at the Vineyard palette knife oil painting
Sunset Glow at the Vineyard
Palette knife painting
Oil on MDF canvas board, 24x30cm (approx. 10"x12")
Available on Daily Paintworks
website
Available on Daily Paintworks
website
This painting was started during the September 30 day challenge. It was slightly larger than many of the other paintings in the challenge. After the challenge I put it aside as I there was something I didn't like, but could not put my finger on it.
The other day I looked at it again and suddenly it was clear what it needed to be finished. It was as if the painting was now ready for the final touches! Please keep this to yourselves as I don't want to be locked away for talking to paintings LOL.
See the WIP painting from the challenge HERE
See the WIP painting from the challenge HERE
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24 April 2014
Poppy Takeover - Abandoned lavender field oil painting
Poppy Takeover - Abandoned lavender field in Provence
Palette knife painting
Oil on canvas board
24x30cm (approx 10"x12")
I have painted the abandoned lavender fields before see here. This painting is slightly larger and contains more of the poppies that use any opportunity to takeover.
About this painting
I started this painting before I went to Japan. After coming home from Japan I looked after my granddaughter during the holidays and then spent a few days in the Uk. So it was well and truly dry when I picked it up again yesterday.To revive the surface I used Liquin, spreading it over with lint free cloth, leaving it for a few minutes and then wiping off the excess. This softens the dry surface and ensures a good bond between the dried paint and the new paint.
A few close-ups
17 March 2014
SOLD - Where Poppies and Lavender Meet.
Where Poppies and Lavender Meet
15x15cm (6"x6")
oil on box canvas
This painting is SOLD
An abstracted view of the lavender fields. I like the way this painting 'moves', if you can say a painting moves! I fell like it invites your eye to travel into the scene in a meandering way.
24 February 2014
Deconstruction - abstract painting in turquoise, peach and purple
Deconstruction
Abstract in turquoise, peach and purple
palette knife painting
Oil on MDF panel
15x15cm (6x6inch)
Available by auction on Daily Paintworks
This little abstract started life as left over paint. Using my palette knife I laid in the left-over paint in large blocks. I put it aside for a while and yesterday I noticed it again and I was drawn to it and this idea of girders/construction site came to my mind. Needless to say, I had more left over paint when I had finished.
Being abstract it will look good any which way - which way would you choose?
20 February 2014
Lemon duo still life painting in oil
Lemon Duo
Oil on MDF panel
15x15cm (6"x6")
Available on Daily Paintworks
Available on Daily Paintworks
I have a lemon tree, clementine and orange tree in my garden planted by the previous owner and they must be over 40 years old. This year the fruit on each of them is abundant, so I have plenty of willing citrus subjects to paint. Their shapes aren't perfect, in line with supermarket conformity, making them interesting to paint. Stay tuned for some more citrus still lifes paintings in the next few days.
Related Painting of some of the clementines
15 January 2014
L'ail rose - pink garlic still life palette knife painting, Day 15, 30 day challenge
L'ail rose - pink garlic still life
Palette knife painting
This is painting No.15 in the 30 day challenge
This is painting No.15 in the 30 day challenge
Oil on box canvas
15x20x1.5cm (6"x8")
For auction on Daily Paintworks
This was painted in response to the Daily Paintworks challenge a couple of weeks ago which was a "Root and Bulb challenge". OK, its a week or two late for the challenge but I have been meaning to paint this since then!
This type of garlic is a speciality of the region, this excert is from "Chocolate and Zuchinni" blog -
"Pink garlic?", you ask, your right eyebrow arched in curiosity. Well yes, it is a unique variety of garlic, grown exclusively in and around the medieval town of Lautrec, in the South of France. It is protected by an IGP (Protected Geographical Indication, a European certification of origin), benefits from a Label Rouge quality certification and, most importantly, it has been awarded the honorific title of Prince des Condiments.
Here are a couple of close-ups
01 January 2014
Cheat for day 1 of the January 30 paintings in 30 days challenge
Ikebana 4 - Burnt Orange Chrysanthemums
Oil on canvas panel
24x30 cm (approx 10x12inch)
Palette knife painting
100€, international shipping included
100€, international shipping included
12 December 2013
Provence Lavender palette knife oil painting
Provence Lavender
Palette knife painting
Oil on box canvas
23 x 30 cm (approx 9x12 inch)
Available in my Etsy Store
Available in my Etsy Store
A different format and orientation for this small painting. I have lots of canvasses that have accumulated over the years waiting for inspiration to strike. I had already painted a ground on this in a mix of blue, pink and yellow horizontal blocks and then did not do anything with it. I noticed it again a few days ago and as the block in was horizontal, it suggested a portrait format, not the typical orientation for my landscapes. The light bulb went on and this is the result.
Here are some close-ups of the knife work
15 October 2013
Iris Dancing Queens oil painting for auction on DPW
Iris Dancing Queens
Palette knife painting
18x24cm (approx 7x10inch)
30 September 2013
Iris Dancing Queens palette knife painting, Day 30, 30 day hath September challenge
Iris Dancing Queens
Palette knife painting
18x24cm (approx 7x10inch)
oil on canvas MDF panel
See the write up HERE
The last painting of the challenge.
A big thank you to Leslie Saeta for organising the challenge and hosting it.
It's been good fun. I've tried different things and put in a lot of painting miles, which is always a good thing.
25 September 2013
The colours of Provence, 4x6 inch - oil painting, Day 25, 30 days hath September challenge
The colours of Provence, Provence landscape
Palette knife oil painting
15x10cm (6"x4") on gessoed MDF panel
Another small one for day 25. You may have noticed that I like these colours and of course, it includes lavender and poppies. This is a rework of the Zorn palette study posted earlier. I just couldn't get the colours to work for me so HEY PRESTO a small Provence Scene. This is a similar composition to Meandering Path
Some close-up shots
17 September 2013
Lively Lavender and Olives oil painting, Day 17, 30 days hath September challenge
Lively Lavender and Olives oil painting
18x24cm (approx 7"x10")
Oil on canvas panel
Palette knife painting
Day 17, 30 days hath September challenge
85€ Int. shipping included
06 September 2013
Abandoned Lavender Field - Day 6, 30 days hath September
Abandoned Lavender Field
Day 6, 30 days hath September
Day 6, 30 days hath September
18x24cm (approx 7"x10")
oil on canvas panel
Day 6 of the challenge. As you know, every June we go to visit the lavender fields here in Provence. Occassionally there is what appears to be an abandoned field amongst the pristine rows of lavender. They really stand out as they are such a contrast to the normally sedate rows.
05 September 2013
A Lovely Lavender Day, Day 5, 30 days hath September
A Lovely Lavender day
Day 5, 30 days hath September challenge
Day 5, 30 days hath September challenge
18x24cm (approx 7"x10")
Oil on canvas panel
Palette knife painting
For day 5 of the challenge I couldn't resist painting another one of my favourite lavender scenes. I was struggling for a title so I did an internet search and found a poem with this title which fitted the painting perfectly.
22 August 2013
Provence late afternoon oil painting
Provence late afternoon
15x15cm (6"x6")
Oil on box canvas
Back to my usual colours today. I aimed for more of a mood painting with this one.
16 August 2013
Reworking 'Calm at the Lake' pastel landscape
I have been participating in on-line landscape tutorials hosted by landscape painter Johannes Vloothuis for some time now. I feel more confident in my landscapes due to his webinars and can look at some of my older paintings with more critical eye. As an exercise I have decided to rework one of my old pastel painting 'Calm at the Lake'.
Things I like about the painting
After studying the painting these are some of the things I want to change.
I will post the progress tomorrow.
Calm at the lake,
Pastel on sanded card
I liked this when I first painted this and still do to a certain extent, but I can now find several landscape errors. The painting is on good quality sanded paper so I will scrape off some of the pastel and overpaint.Things I like about the painting
- Colour combination - the purples set of the greens very nicely
- The water
- Overall design
After studying the painting these are some of the things I want to change.
- The sky should be the lightest area in the painting. This sky is light but I feel it is not light enough.
- The mass of the mountain is too dark and does not recede enough. It needs to be blended in some places to soften the edges. I will also think about breaking up the mass to give another plane.
- This line of background trees is too monotonous and needs to vary in shapes and colour.
- Two cloned lollipop trees - need I say more!
- The bank needs to be more melodic and not quite so straight lineish (newly invented word)
- The reeds block the entry into the painting and are too detailed for the foreground.
- Another lollipop tree - I will also move this tree over to the edge and only paint 3/4 of it to add some interest.
I will post the progress tomorrow.
20 June 2013
Mini Landscape studies (6"x6") collage
Mini Provence Landscapes Collage
Here are all three together and with better photographs. The left two were painted with a palette knife and the right hand side one with a brush. On the right hand one I used a multi coloured background (warm colours for the lights and cool colours for the shadows), the other two were painted on a pink ground. I like all three, but the left hand one speaks to me more. I also see a lot of potential for the right hand style.Let me know which one you prefer, and why. I'd love to hear from you.
Here are the links to the individual paintings
Meandering Path
Into the Distance
High Plain Meadow
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